

To summarize, the eternally youthful and perfectly fit, Tintin leads both his core band and occasional characters and may serve as a role model influencing young 20th century readers toward the benefits of an active lifestyle.Īs I write this article in mid-September 2021, the severe acute respiratory syndrome coronavirus (SARS-CoV-2) pandemic has claimed the lives of nearly 4.7 million people and over 228 million others have been infected worldwide.

Thus, Hergé had never ceased to believe in the beneficial, physiological, psychological, moral and social effects of physical activity on his young, tireless hero. The results indicate that the representation of physical and sporting activity in Tintin’s adventures remains steady and consistent from the first (1931) to the last book (1976). Through both quantitative and qualitative analyses (descriptions, counts, frequencies and percentages), this work studies all the panels of the 23 albums of Tintin’s adventures dealing with any form of physical exercise or sport. However, the place and role of physical and sports activities practiced by this tireless journalist in the promotion of these highly sustainable activities have never been analyzed. Several studies have already been conducted on Tintin. There is great potential for preventing violent deaths in the world of Game of Thrones.Ĭreated by Hergé in 1929, Tintin is a truly successful publication, since these comic books have been translated into about a hundred languages and published throughout the world during the 20th century. The probability of survival was worse for characters who were male or lowborn, who had not switched allegiance during the show, and who featured more prominently. By the end of the seventh season, more than half of the important characters had died, with violent deaths being the most common by far. The probability of dying within the first hour after first appearing on screen was about 14%. The mortality risk is high among characters in Game of Thrones.

After adjusting for other factors, whether or not a character had switched allegiance during the show and how prominently a character featured in the show were revealed to be independent predictors of death. The analyses revealed worse survival for characters who were male (P < 0.001), lowborn (P < 0.001), had not switched allegiance during the show (P < 0.001), and who featured more prominently in the show (P < 0.001).

The probability of surviving at least 1 h in the show was 0.86 (95% CI 0.82 to 0.89). The survival time ranged from 11 s to 57 h and 15 min, with the median survival time estimated to be 28 h and 48 min. All but 2 deaths were due to injury, burns, or poisoning, with the majority being caused by assault (63.0%) or operations of war (24.4%). Of the 330 characters that were included, 186 (56.4%) had died by the end of the study period. Kaplan-Meier survival analysis with Cox proportional hazard regression modelling were used to quantify survival times and probabilities and to identify independent predictors of mortality, respectively. Important characters appearing in Seasons 1 to 7 of Game of Thrones were included, and data on sociodemographic factors, time to death, and circumstances of death were recorded. This study aimed to examine the mortality and survival of important characters in Game of Thrones.
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Game of Thrones is a popular television series known for its violent and graphic portrayal of the deaths of its characters.
